-=CHEAT THE LOOK=- How it got made, and whether it worked

Rewatched 10/10/26, straight after Lady in the Water

Signs

2002 · M. Night Shyamalan · Horror, Mystery, Science Fiction, Drama, Thriller

Signs poster

A widowed former reverend living with his children and brother on a Pennsylvania farm finds mysterious crop circles in their fields, which suggests something more frightening to come.

Written and directed by M. Night Shyamalan
Top billing Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin
Released August 2, 2002

I remember this movie giving me the heebie jeebies back in the day. It was Joaquin Phoenix that gave me the creeps back then. He still kind of does these days too, all these years later.

Creeps not in the eew-get-away-from-me way. Creeps as in something unsettling behind the eyes, and not necessarily bad, just concerning.

The score is overly loud compared to the rest of the sound mix. Annoyingly loud, like how commercials are four times louder than the show you are watching, to jolt your attention.

Shammy is also always very good at the audio placements and noises. The weird ass clicks and throaty noises the aliens make seem realistic enough. You can tell it is language, and that it is conversational, when you hear them talking over the baby monitor.

The baby monitor is a good technical addition for the time period, because the technical side of it is probably correct. Those things will pick up shit.

I remember being a teenager messing about with a high powered CB radio, and my dad could hear my outgoing transmissions through certain phones in the house. Which is why I always found this believable, and from a technical standpoint it actually does work this way.

The flashbacks Gibson's character has to his wife dying on the road, telling him a bunch of crazy death's door shit, got resolved pretty solid too. It worked.

The daughter did a great job as well. I remember her from Little Miss Sunshine. Talented.

One of the things I really enjoyed is that they never fully show you the alien face. It is always in reflections, and it looks close enough to what all movie aliens look like while also looking really ape-like in a way.

That, and having them be vulnerable to water. I cannot figure out what kind of elemental life they would be made of to be vulnerable to water. Some sort of soluble thing, sure, but what kind.

Here is where I landed on it while watching. Maybe they are sodium based. A bulk piece can survive a humid environment for small time frames, which would explain why they only ever came to Earth in short bursts. And when Merrill started swinging away with the glasses of water, it looked like it immediately third-degree burned the skin and smoked.

The chemistry actually goes along with that. Bulk sodium in humid air does not ignite, it skins over, a crust forms and slows the reaction down, which is why lab sodium can sit out in air briefly. Liquid water is the opposite. It goes exothermic fast and releases hydrogen, which accounts for both the burn pattern and the smoke. So the model is a body with a hardened outer layer that tolerates ambient moisture for a while and fails catastrophically the second liquid water gets through it.

And that answers the thing this movie gets mocked for the most, which is why they would land on a planet that is most of the way covered in the stuff that kills them. If they cannot stay long, this was never an invasion. It is raiding. Get in, take, and leave before the crust fails.

Overall ●●●◐○

Three and a half. And one day I would like to meet the man and have the sodium based alien conversation with him, to find out whether that is where he got it from or not.

Who made it

Written and directed by M. Night Shyamalan
Cast Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin, Cherry Jones, M. Night Shyamalan
Abigail Breslin made her film debut here at five years old and was nominated for a Young Artist Award for it. Little Miss Sunshine came four years later, and the Academy Award nomination for it came at ten
Composer James Newton Howard, who scored every Shyamalan film from The Sixth Sense through The Last Airbender
Studio Touchstone Pictures
Running time 107 minutes, rated PG-13
Shot in Pennsylvania, where he has shot nearly his whole filmography

All posters, stills and promotional images on this site are the property of their respective copyright holders and are reproduced or linked here for the purpose of commentary and analysis. No ownership is claimed and no affiliation or endorsement is implied. Rights holders who want an image removed can say so and it comes down. Remove my shit, please[email protected]